Mara7=7aram. Center view of the 56th Venice Biennale room installation composed of 3 projections with 3 sculptures forming one large scale installation exploring the issues of corruption, social taboos, and pollution both on a regional level and a global one. Venice Biennale 2015, Pavillion: In The Eye of the Thunderstorm, Zattere 417, Venice, Italy.
A Tangled Tale. Right view of the 56th Venice Biennale room installation composed of 3 projections with 3 sculptures forming one large scale installation exploring the issues of corruption, social taboos, and pollution both on a regional level and a global one. Venice Biennale 2015, Pavillion: In The Eye of the Thunderstorm, Zattere 417, Venice, Italy.
Pollutoland. Left view of the 56th Venice Biennale room installation composed of 3 projections with 3 sculptures forming one large scale installation exploring the issues of corruption, social taboos, and pollution both on a regional level and a global one. Venice Biennale 2015, Pavillion: In The Eye of the Thunderstorm, Zattere 417, Venice, Italy.
From the 2013 series Popcornographic. Blind New World (Title based on Aldous Huxley's book Brave New World, banned in Ireland in 1932, and banned from schools in some American cities in 1980) – Mixed media on canvas mounted on wood, framed. 170 x 150 cm. 2012. Christie's: Courtesy of Ayyam Gallery, Dubai.
From the 2013 series Popcornographic. 50 Shades of Tattoo (Title based on E.L. James' erotica book 50 Shades of Grey, banned in some American states, such as Florida, for a period of time for sexual explicitness). Mixed media on canvas mounted on wood, framed. 150 cm x 150 cm. Courtesy of Ayyam Gallery, Dubai.
From the 2013 series Popcornographic. This Is Not a Pipe: A Deconstruction (Title based on Rene Magritte's painting The Treachery of Images and its infamous statement "Ceci n'est pas une pipe", for which Magritte was - in his own words - "reproached"). Mixed media on canvas mounted on wood. 120 x 170 cm. Courtesy of Ayyam Gallery, Dubai.
From the 2013 series Popcornographic. Ceci n'est pas une femme Arabe avec trois boucles d'oreilles perles (Title based on Rene Magritte's painting The Treachery of Images and its infamous statement "Ceci n'est pas une pipe", for which Magritte was - in his own words - "reproached", and Vermeer's Girl With Pearl Earring, as inspiration for the self-portrait). Mixed media on canvas mounted on wood. 120 x 170 cm. Courtesy of Ayyam Gallery, Dubai.





























