First volume of poetry, entitled Kuwaiti Butterfly Unveiled, published locally in 1994, with a small distribution of 500 copies; and then internationally in 1997 with Minerva Press: ISBN-10:0754106268 and ISBN-13:978-0754106265.
2005:
“Moth-winged, Cider-soaked, and Cherry-sprigged” was published in the literary journal Etchings, issue 1, 2005, by Ilura Press.
2006:
“Georgia’s Plains” was published in Beauty/Truth: A Journal of Ekphrastic Poetry (issue no. 1, 2006).
“Folded Woman”, “Blurring Betty”, and “Women’s Wool” were published in Many Colored Brooms (issue no. 2, 2006).
2007:
“The Hanging of the Wind”, “What Of It?”, “About Her”, “The Face Closes in on Itself”, and “Is This Your Wife?” were first published in Miranda Literary Magazine (spring 2007 issue).
“The Neology of Love” was published in The Journal (summer 2007, issue no. 19).
“Pirouettes and Pomegranates” was published in The Cannon’s Mouth (March 2007, issue no. 23).
“Framboise Fig and Bronze Nude” was published in the DMQ Review (fall 2007), and was nominated for a Pushcart Prize in the USA.
“Harley-Girl” was published in Aesthetica magazine (August 2007 issue).
“Olfactory Bazaar” was published in Poesia with Indian Bay Press (summer 2007 issue).
“Chiseled Linen” was published in Blood Lotus (fall 2007 issue).
“Blind, Too” was published in Words-Myth: A Quarterly Literary Journal (April 2007 issue).
“Tehura” was published in Ekphrasis: A Poetry Journal (volume no. 4, issue no. 3).
“Oil-Nation” and “Recrudescence of Vanity” were published in Living Poets magazine by Dragonheart Press (Fall 2007 issue).
“The Neology of Love” was published in The Journal (issue no. 19, summer 2007).
“Green Night, Blue Love” and “A Language Barrier” were published in the online literary journal Many Colored Brooms, Volume 3, 2007.
“Harley-Girl” was published in Aesthetica magazine (August 2007 issue).
“Olfactory Bazaar” was published in Poesia with Indian Bay Press (summer 2007 issue).
“The Crescent Charm” – a short story – was published by The Rose and Thorn Magazine (fall 2007 issue).
“The Other Wife” won third place, and was published, in the Perigee: Publication for the Arts poetry competition in April 2007.
“Mud-Roses” won an Honorable Mention, and was published, in the Perigee: Publication for the Arts 2007 poetry contest.
“The Fate of the Gulf Mariner” was published by the Spoon River Poetry Review (fall 2007 issue).
2008:
“The Other Wife”, “The New Kid”, and “This was Life” were published by Tanjah Al-Adabia literary journal, Morocco (January 2008, issue #1).
“Another Kind of Love” was published by 32Poems magazine (winter 2008 issue).
“From the Editor” was published by Pearl Magazine (winter 2008, issue #39).
2009:
The publication of a poetry book The Hanging of the Wind with the Finishing Line Press, USA, in 2009: www.finishinglinepress.com
“Another Day of Eid” was published by Monkey Puzzle magazine, Boulder, CO (issue #7).
Mismatched as they were, the framboise fig and the patrician bronze nude, they still - somehow played backgammon in winter together, bathed in claw-footed tubs, drank from teapots of infused peonies, silk-stitched napkin borders, pin-tucking their way down a black licorice life. And when the seasons cascaded into warmth, they planted window-box pelargoniums together, the petals of which were the blackest black and the stems so twisted. They painted muted, ethereal hues together, honing sensibilities better left dormant. They slowly crushed diamonds together.
Their love is a well-worn staple now, pared down in style, dusty as Dickens’ dowager, but sturdy like a bone-bristle brush.
On a warm day, you can see them swimming symbiotically, the framboise fig and the bronze nude; her never sinking, him never rusting.
glutinous calyxes
swollen like a hirsute moon
stuffed with putty;
they sink cold and wet
in the hot mud, lychées
in chocolate fondue
imbued with effluence
and the sagacity to see
past the ice-floes on the
other side of the tracks
cracked white, past the
parchment-spread
vermeil field, past the
men in beards flouncing
over pollarded trees filching
pomfrets from the sea;
these mud-roses know
that past all that humming,
and centuries of reams,
despite the loss of petals
and thorns, their grey-hazed
filaments are irrefrangible.
I wrote to you on frankincense-scented
paper, green ink frilled, blotted, bruised
with sequined teardrops, and when my
gem-rimmed words oozed out, like resin
from the winged serpent-guarded
frankincense tree, and solidified onto
the red-earth paper, buckling into
schizophrenic calligraphy, morphing
into crushed-velvet roots, the green of
that unripe-mango skin I peeled for you
the night you left me for her, preferred
her new rose-petal skin to my crinkled
coriander-sprinkled rind, the green of
my devoted Friday lunch mint-infused
overcooked okra, the green of this abbaya,
oudh-soaked just for you, when my words
oozed out – oh-so-green – onto that
scorching red-bulbed paper, I thought
perhaps, for once, for the sake of
shameless years and endless dark stark
nights of service, you’d read, listen, soften
enough to send me all five of my children.
When one squints, the other
dims the moonlight for her,
such is friendship, or so
your parents think, heedless
of limbs that tangle like
limp honeysuckle petals
in the early evening,
before the sky darkens much,
before the muezzin cries
the day’s last call for prayer,
before your mother uncovers
the shallow depressions in
your mattress made by not one,
but two daughters of Muslims.